Alfred Molina praises Tracey Deer’s direction of episodes focused on residential schools | Bot To News


As the Prime Video series Three legs Continuing from Amazon Studios, the two-episode series, directed by Tracey Deer and releasing on December 9, is an exploration of intergenerational trauma in residential schools in Canada.

“Because I felt it [Tracey Deer]We were able to handle that storyline with some dignity and some respect and sensitivity, which I think is important,” said series boss Alfred Molina. Yahoo Canada.

“The two episodes Tracy directed really tackled that subject matter… It had to be handled not only sensitively but also positively. It’s a deep level of understanding, a deep knowing that, sometimes, something powerfully good can come out of it.

Tracy Deere walks the Rialto Theater carpet at the Montreal premiere of Prime Video.

Tracy Dear walks the Rialto Theater carpet at the Montreal premiere of Prime Video’s “Three Pines” series (ANNIE DIOTTE).

‘Something that happens to you as a child, we carry it with us for the rest of our lives’

In the latest two episodes of Three legs, episodes three and four, we begin with people in this town trying to burn down a house that used to be a boarding school, but things don’t go as planned. Gamache (Molina), with Sgt. Isabelle Lacoste (Elle-Máijá Tailfeathers) and Sgt. Jean-Gy Beauvoir (Rossif Sutherland), investigating a missing person case, finds the person buried in the property’s crawl space. This coincides with the extensive investigation into a missing Aboriginal woman, Blue Two-Rivers (Anna Lambe).

“It’s generational trauma and something that happens to you as a child, and we carry it with us our whole lives,” Tracy Deer said. Yahoo Canada About the two episodes she directed. “These issues are very close to all of us, and we are all connected to them in different ways.”

“Of course, those were really heavy, scary days for me to tell those parts of the story that our community is still hurting in such a deep way. I never want the storytelling to be exploitative, … I want it to add to the healing and for me, the healing part of the show is bringing that awareness to the world of what happened. “

As part of Three legs There were a number of supports throughout the shoot, including production, the presence of an Indigenous social worker and psychological counselling.

“We had an Aboriginal social worker from another neighboring community, also Mohawk, who came to start the day, to give a traditional Mohawk opening, to start the day from the south pine,” Deer explained. “That’s really important to me. I’ve done that with all my work … to set the tone for the whole team so that everyone understands the magnitude of the day ahead.”

“A lot of times, the crew doesn’t necessarily know what we’re shooting that day, they get there to do their job and when we leave, they’re like, ‘Oh, this is the scene.’ The care and sensitivity we carried throughout the day was critical.

Tantoo Cardinal, an actor in the new ABC TV series

Tantoo Cardinal, cast member of the new ABC television series “Stumptown,” poses at the exhibit’s premiere at the Petersen Automotive Museum, Monday, Sept. 16, 2019, in Los Angeles. First Nations star Tantu Cardinal has a theory she likes to hold on to in critical times: someone with a good heart and a strong mind to “stand up” or “swing” at the right moment to support and turn on the light “That’s my hope, because sometimes that’s all we have to go on, ” said the talented actor, who was born in Fort McMurray, Alta., and stars in the “Stumptown” series. The Canadian Press/AP, Chris Pizzello/Invision

These episodes introduce significant personal details about the character of Bee, played by popular Canadian actor Tantu Cardinal, and the character’s connection to Canada’s residential school system.

“Tantou brings her own history and her own stories, her own family connection to that, and I brought mine,” Deer said. “Of course, as we worked together and found our way through this, it was a lot of risk. And a lot of sharing and holding each other up.”

“It’s a self-imposed pressure to put this story out there and want my people to do it right, and I’ve had a couple of moments where it’s hit me, and she’s been there for me, and she’s also sitting in the hot seat when she’s there.”

Elle-Máijá Shoots Tailfeathers in the fictional Eastern Township Village of Three Pines.  (Laurent Guerin)

Elle-Máijá Tailfeathers filming in the fictional Eastern Township village of Three Pines. (Laurent Guerin)

‘These stories belong to people living their lives’

For Elle-Máijá Tailfeathers, how the actor stayed “grounded” during filming Three legsIncluding these episodes in particular, tapping into these human stories and connecting with her family.

“The way I’m grounded and connected is to remember that these are human stories, that these stories belong to people living in the world, and that we have a responsibility to people who have these experiences,” Tailfeathers said.

“I was personally, in a lot of ways, involved in the material, and it was obviously emotionally and spiritually challenging, but I was trying to stay grounded in my community and my culture and my family. I found ways to go home. If I could see my family , remember goodness, strength and hope.”

The actor added Three legs The series not only portrays the trauma of these brutal realities in Canada’s history, but also highlights the “happier moments.”

“The show isn’t just about stories of tragedy, trauma and pain, that’s something that appeals to a lot of audiences, non-Aboriginal audiences,” Tailfeathers said. “I think there’s more to the show in terms of showing moments of hope and humanity, love and joy.”

“Those were the ways I got past that, and I was built into that, because it’s a pretty radical thing to feel joy as an Aboriginal person, and we shouldn’t be here after everything that’s happened. For us…it’s been fantastic to witness Tracy’s work, and she’s always Someone I could approach and talk through.”

For Tracey Deer, that’s what she hopes for Three legs Allowing Aboriginal audiences to feel “heard”.

“We’ve been invisible for so long and with that invisibility comes all those pains,” Deer said. “Building that empathy and building that understanding, so that everyday people are more connected to these atrocities and wanting to make sure these injustices don’t happen again.”

“When an Aboriginal audience sees those scenes and sees the story, yes there will be pain, we will feel it, … but I hope there will also be relief, and finally we will be listened to.”



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